Wednesday, October 17, 2012

Ultratone Guitars Reviews Martin M140 Light Acoustic Guitar Strings - A Pleasure to Strum



For daily play, the Martin M140 80/20 Bronze Light Acoustic Guitar Strings are an ideal set. The Martin company crafts their guitar strings with high standards, just as you would expect from a company that produces some of the nicest instruments in the world.  The core and wrap wires must meet strict requirements in order to make the grade.  All Martin Strings are wound to precise specifications.



The Martin M140 strings have an 80/20 composition which adds brilliance, clarity and longevity of sound.  The bronze winding alloy is ideally suited for making strings have deep rich bass tones and clear bright tones in the treble registers.  A string mid range is naturally produced with this tonal recipe too.

Another key point of the Martin M140 acoustic guitar string's success is the price point.  These strings are priced for the everyday player and crafted to the rigorous quality standards demanded upon by today's top artists.  With a retail price of less than $15.00, these guitar strings are easy to stock up on, which will make the artist sound better and be more ultimately satisfied with their playing.

We hope you enjoy this brief article and all of Ultratone Guitars reviews.  Come back soon to read our new posts!






Tuesday, October 9, 2012

ModTone Guitar Effects - Ultratone Guitars - Product Reviews without Complaints


ModTone Guitar Effects



The world of boutique guitar effects is becoming more and more saturated.  From multi-effects that range the spectrum of sounds to individualized effects, the market has a lot of pedals and a lot of makers from which to choose.  How do we make the right choice?  Can you pick out a quality effects pedal based solely on price?  How about based on appearance and ease of function?  What about basing your desires on the sounds you can create?  ModTone guitar effects solve this riddle by offering visually appealing, pedalboard friendly, highly functional, and very economical effects pedals. Today, we will take a look at the Pro Series of ModTone effects pedals.

The ModTone MT-AD Analog Delay Pedal:



The Vintage Analog Delay features exclusive analog circuitry coupled with a PT-2399 processing chip. This unique hybrid combination delivers a warm lush sounding delay reminiscent of the spell binding analog circuits of yesteryear without the unnecessary bulk or excessive price. Time, Repeat and Mix is all you need to tap into that expansive canyon of tone!

The ModTone MT-CH Aqua Chorus Pedal:



The ModTone Aqua Chorus features a rate and depth controls that emulate the shimmering tones of a classic vintage chorus or rotating leslie effect adding a liquid dimension to your tone without any degrading signal loss or unwanted noise.

The ModTone MT-DD Deep Dive Octave Plus Effects Pedal:



The Deep Dive Octave Plus is a true bypass sub harmonic effect that’s great in single note or lead guitar applications. Using High Filter, Bass Filter and Sub Level together can create a touch of “octave below” or when maxed out can cross over into some truly great low end frequencies! Flip the modulation switch on and add some square wave fuzz to your tone.

The ModTone MT-DS Speedbox Distortion Pedal:



If you like the sound of a 59 Les Paul roaring through a Marshall stack, you are going to love this pedal. In fact; get all your classic distortion tones here. This pedal is very versatile and is a virtual workhorse that is adaptable to all rock genres.

The ModTone MT-EM Extreme Metal Effects Pedal:



The Extreme Metal pedal is a true bypass boutique style pedal that delivers insane gain levels that go from subtle to over the top. Our specialized “scoop” knob covers plenty of metal territory while leaving all the articulate definition intact. Adjusting the “Low” knob gives any amp that ground shaking low end thump.

The ModTone MT-FL Space Flanger Effects Pedal:



Classic Flanging Like They Used To Make! Slow sweeps, fast warble...it’s all here! Transparent tone and all true bypass circuitry keeps your tone pure. From subtle to extreme the Space Flanger does it all. Crash and burn!

The ModTone MT-HG High Gainer Distortion Pedal:



The High Gainer is a feat of sonic engineering that packs an amazing punch of glorious overdriven tones that gain junkies will love. Go from a mellow laid back gain setting to the sound of tubes on the verge of catching fire! In addition the High Gainer features a set of concentric eq knobs that control both high and low frequencies independently. Add some sparkle on top or enjoy the almost sick level of low end you can achieve.

This blog reviews a small amount of the ModTone guitar effects pedals available.  I encourage all players in the market for a new brand of effects to explore ModTone effects.



Who is ModTone?

After nearly 20 years of designing musical products, our design team emerged from their underground tone lab and hit a home run with the ModTone line of effects pedals that include:
Distortion, Overdrive, Chorus, Phaser, Vintage Delay ,  Deep Dive Octaver, Tremolo, Chromatic Tuner ,Funk Filter Enveloper , Clean Boost , Vintage Wah, Xcellerator Volume+ , Power Plant and Powered Pedalboard. The whole family of  pedals deliver clean, quiet, fat tones in a reliable sealed, corrosion resistant metal chassis that are built to last and compact enough to fit on any pre-existing pedal board without any major modifications. No component went into these without the unrelenting scrutiny from our team of dedicated gear-heads. And this does not even touch on the Mini-Mod series...  ModTone has taken all of the features of the Pro Series and packed them into a tiny footprint at an even smaller price...  Check 'em out HERE!

Where some would simply stick it in a box and be done, this crack team of designers decided a pedal line this good deserved special packaging that reflected their commitment to tone and made sure each heavy duty transport box (with a cool magnetic lid) included a collectible instruction card with all warranty (5-YEAR) and website info. Once these people get an idea in their head they just won't let go and the ModTone line of effect pedals is the culmination of their commitment to bringing high quality tone to the masses.

"Boutique for everyone!" they say. And we agree.

Long Live Tone! Ultratone!



Monday, September 24, 2012

Bluegrass Instruments Reviews - Morgan Monroe Fine Guitars, Banjos, Mandolins





Morgan Monroe has provided a line of fine acoustic instruments, for more than 10 years, with only one simple philosophy; to put high quality acoustic instruments in the hands of musicians without any compromise.  Morgan Monroe has not deviated from this committment since day one. The mindset of bringing an original product with beautiful designs and the use of the finest tonewoods together creates instruments that keep and play wonderfully for a lifetime.  

Morgan Monroe's critical team of specialized luthiers utilize superior craftsmanship skills and the trusted names of Grover Tuners and Fishman Electronics to create something special. They stand behind each of their instruments with a legendary lifetime warranty because the craftsmanship process is so well believed in by the people that produce these instruments.  Only a select few instruments are worthy the name, Morgan Monroe.


         


Morgan Monroe offers a hand-crafted line of acoustic guitars, bass guitars, and 12-string guitars that are built for the ages. Triple Ought (000) models that are faithful to the instruments built during the turn of the century, but they are updated with advanced electronics and hardware demanded by today's modern player.  The Creekside series guitars are a flat pickers dream!  Soft feels, solid tonewoods, and a great factory set up make this series a favorite in the Bluegrass music world.  The Creekside series 00 Blues '32 guitar is a tribute to the instruments that dominated the Blues Music movement prior to World War II.  Every detail from wood selection and neck profile, body contour, depth and finish have been meticulously orchestrated to create a playable work of art worth of a collectors vault but priced for just about any player's budget.



Morgan Monroe combines aesthetic beauty with precision craftsmanship to bring a world class line of banjos that are truly a pleasure to see, hear, and own.  With Mother of Pearl inlays on dark ebony fingerboard and flamed resonators, these instruments really stand out from the crowd.  The Rocky Top series of najos have 3-ply maple rims and bell brass tone rings that bring home a tone that distinctly says, Morgan Monroe. The Gold Pro is Morgan Monroe's finest banjo.  This instrument is a dazzling presentation of gold plated hardware, flamed maple woods, a tone that is simply jaw dropping.



A Style and F Style mandolins are increasing in popular music across many genres.  From Bluegrass roots to Blues to Country Music, Indy Rock, and even Heavy Metal music, the mandolin has its own voice.  Morgan Monroe's Rocky Top MMA series are vintage A Style mandolins made with premium woods and feature world class hardware by Ashton Bailey.  In the land of F style mandolin Morgan Monroe's MDM are antique style mandolins with factory distressed finishes.  Value priced classic reproductions include the MM-100 series of mandolins.  These mandolins lie in the Rocky Top series and combine select tonewoods and beautiful finishes with great tone and playability.



With world class acoustic guitars, banjos, and mandolins that are backed by a 99 year warranty, Morgan Monroe offers musicians a truly versatile instrument that is extremely well made.  These instruments will not only stand the test of time, but are built with tonewood recipes that are proven to sound and feel better over time.  Take advantage of these instruments and see for yourself why not only bluegrass players, but musicians from all genres are choosing instruments built by Morgan Monroe.


Tuesday, September 18, 2012

Electric Guitars from Today and Yesteryear.....How far have we come along?


Electric Guitars from Today and Yesteryear.....How far have we come along?



The very first patent for the electric guitar was issued in 1937.  The first electric guitars differed greatly both in appearance and overall engineering from the modern guitars we know of today.  Other than the concept of electrifying the signal and amplifying it, what was first known as an electric guitar and what is now known as an electric were pretty different instruments.  

The trend of electrifying an acoustic guitar with a piezoelectric transducer type of pickup is similar to the way the first electric guitars were amplified.  In essence, the vibrations from the strings would resonate to the wood of the bridge and these sounds were "picked up" by transducers and transferred to an amplifier to deliver the sound.  This techonology was used in some of the first hollow-body electric guitars.

The rise in popularity of the electrified hollow-bodied guitar brought on a desire to engineer an electric guitar that has a solid body.  The advent of the magnet/coil pickup would be introduced.  This would open up a new world of design and innovation in the engineering of the electric guitar.  By the late 1950's, an electric guitar pickup that helped to eliminate "ambient noise" was introduced.  This noise became known as the 60-cycle hum and the fix for that became known as the "humbucker." From these early roots, an industry almost as creative as its artists began to evolve in to the billion-dollar industry it is today.  

As the future has come to follow, luthiers and engineers have been experimenting with different combinations of electric guitar pickups, body styles, woods and more.  Innovative designs are now available to musicians. All of these instruments reach different price ranges and qualities, and most importantly, each have a tonal recipe of their own.  Modern techniques are now employed like using CNC machines to make intricate and precise cuts and carves, along with some basic old world craftsmanship principles, hand-detailed components, custom tone circuitry, and custom wound pickups, the musician today can enjoy a guitar that will look and sound like no other.





Tuesday, August 21, 2012

Ultratone Guitars Product Spotlight: The Making of Gibson Pickups







How Gibson Pickups Are Made

All Gibson Gear Pickups utilize advanced construction for maximum performance, even under the most punishing playing conditions. Once you discover how well-made Gibson Gear pickups are, you'll appreciate their value and why they bear the Gibson name. Gibson Pickups continue to be the choice of top professionals around the world!

Tight Between The Pole Pieces Stops The Feedback
Gaps between the pole pieces and unit baseplates of a pickup are sources for sound penetration. This can create unwanted feedback that makes pickups "squeal" when used to overdrive amps. The fit between all Gibson Pickup pole pieces and base plates is tight with absolutely no gaps. Gibson threads the pole pieces through the base plate, which eliminates sound penetration in addition to increasing the structural integrity of the unit.

Magnets Designed For Performance
Gibson magnetizes our own magnets to ensure the total reliability of each magnet's performance. Critical magnetic flux is maintained for the perfect combination of output without sacrificing tonal characteristics.

Machined Pole Shoe
The pole shoe on Gibson Pickups is a critical component. It is positioned between the coil forms and the unit base plate in order to provide support and guide the pole pieces through to the threaded slots. This hand machined manufacturing process is identical to the original methods used during the fifties for Gibson Pickup production. Most pole shoes are stamped and can deform during production. Gibson's machined pole shoes fit snugly in the pickup. A better fitting pole shoe will not vibrate and reduces microphonic effects.




Maple Wooden Spacers
Maple spacers adhere and form to the metal unit base plate and to the coil form when they are compressed in pickup final assembly. They provide additional support for the coil forms and reduce unit vibrations that can cause unwanted microphonic feedback.

Made With High Quality Cover Materials
Gibson Gear uses standard German Silver cover with nickel, chrome or 24K gold plating, which provides additional strength and durability.   The result is more sonically transparent than other materials that are used (such as brass). That means less high-end loss. The optional 24K gold plated cover will last longer and not rub off as do other less expensive gold plating options.

Pickup Options Four-Conductor or Vintage Two-Conductor Wiring
The BurstBuckers, BurstBucker Pro, '57 Classic, '57 Classic Plus, P-90 and Mini- Humbuckers feature vintage style two-conductor leads, while all other models feature four-conductor leads for all wiring variations such as series, parallel or split-coil operation.

Full Wax Potting
Every Gibson pickup is potted in a special wax bath to insure that microphonic feedback due to internal vibration is eliminated. All covered models receive a second wax bath to further protect the pickup.


Explore many varieties of Gibson pickups at Ultratone Guitars.


Friday, August 17, 2012

Top 10 Things To Consider When Buying A Guitar Amp





An amplifier can be the difference between a great sounding instrument and a poor sounding instrument. Whether you are amplifying an electric guitar, acoustic guitar , bass guitar, keyboards, or an orchestra or band instrument, the type of amplifier you buy is extremely important.  Before you buy, consider your plan for using the amp. Some amps are more portable than others.  Some come with more bells and whistles (or knobs and controls), and others just straight up make it loud.  As a musician, you need to determine the performance level of your amplifier.  If you are playing for a large hall, you will want something powerful enough to fill the room.  On the other flip side, if you are looking for an in-home practice amplifier, you will probably want a smaller less powerful amplifier.  Below are the top 10 things to consider when purchasing your next amplifier.
                                        
 We hope this helps:


1. Configurations
Combination amps, combo for short, are self-contained units that include the amplifier and speaker together. A stack variation consists of a separate amp, or head, and a speaker cabinet. With a stack you can mix and match heads and cabinets to fine tune your sound.


2. Amplifier Types
Solid-state amps use transistors for their preamp and power sections. They are the most popular choice today for their clean tone, affordability and reliability even though the sound is sometimes considered cold.
Tube amps require more maintenance as tubes wear quickly. They're also heavy but are appreciated for their rich, vintage tone.
Modeling amps, the best selling amp segment or most popular segment of the amp market, use technology to make solid state amps sound and feel like traditional tube amps and provide plenty of gain for almost any applications.
Hybrids are available, which have transistors generating power and a tube-driven preamp producing the basic tone.


3. Digitally Modeled
It's possible to get the vintage sound of a tube amp without going old-school. Digital modeling amps simulate the sound through software, so you can get the sound of variety of amps all in one. They also come with built-in digital effects like tremolo, chorus, etc. and a footswitch lets you change between tones.


Click Here to View Some Great Modeling Amps


4. Construction
The materials that make the amp can affect the quality of its sound. Since a thinner material can cause a speaker to vibrate itself loose, a thickness of at least 1/2" is recommended.
An amp with a closed back will produce a better bass response from a speaker.



5. Speaker Size
Bigger doesn't always mean better. Much of your decision will be based on what type of sound you prefer. Several small speakers in a bass cabinet produce a tighter, more accurate sound, while a larger speaker is often heavy sounding. Again, it comes down to your personal taste.


6. Watts
The more watts you have the more likely the amp will stay true to tone at higher volumes. Amps come with anywhere from 5 to 400 watts.



7. Equalizer (EQ)
EQ settings let you emphasize or de-emphasize particular frequencies to alter the tone of your guitar. In many instances the EQ frequency settings are pre-set. Other times you have the ability to adjust the frequency, giving you greater control. Most preamps have three knobs, some have five, and others have even more.


8. Controls
Look for tone controls, ones that include low, mid and high EQ, presence, gain and reverb. And make sure the controls carry a useful function and don't exist simply for show.


9. Sound
Different amps have different sounds, so test-driving an amp is crucial to getting the sound you want. It's also important to consider the music genre you are likely to play. Do you have softer musical tastes or do you plan to rock out? Certain brands are often suited to one style and not so much to another.


10. Price
You don't need to spend big to get a decent sound. Combination or combo amps tend to be less expensive when compared to stack configurations where you buy the amp and speaker cabinet components separately. So if you’re just starting out, a combo amp is the cheaper and easier way to go.   Remember that your best deal for an amplifier is not only price, but also reliability and performance! 

Click here to see a nice selection of excellent guitar amps in a variety of price ranges:









Friday, August 3, 2012

Jet City Amplification - Ultratone Guitars Product Reviews Without Complaints




Before Jet City Amplification was founded in 2009, the design team asked themselves, "Does the world really need another average-sounding tube amp, propped up with pithy marketing rants using the word 'boutique' fifteen times a paragraph?" At first, the answer was "yes, our hearts are black enough. Let’s face it, we’re not running a charity. However, something inside just wouldn't let us do it."

Perhaps it was a sense of camaraderie with brothers who drop their dwindling cash reserves on guitar amps promising tone, but ending up not delivering the goods? Or maybe it was because for the first time this team was unshackled by the MBAs and bean counters we worked for in the past — guys who wore khakis with pleats and never touched a guitar— let alone heard an amp sing like an angel. Sure, they know how to use Excel, but they don’t let it make design decisions – Jet City Amplification is a labor of love.

Whatever the reason, the designers had no other choice.  Jet City Amplification must deliver the utmost in tone, while being affordable enough for musicians slugging out a living on the small stage.

Of course, actually delivering on this credo was a whole ‘nother ball of wax. Luckily for you, the amp-buying consumer—legendary tube amp designer, Mike Soldano has joined the Jet City gang. The very name Soldano conjures the smell of hot tubes and blistering guitar. In fact, Mike’s creations in the 90's are directly responsible for more shattered eardrums and 13-year old children than any other guitar amp. The other guys can say boutique all they want, but Mike is the real deal.

Jet City Amplifiers are designed in Seattle with a very simple "no bullsh*t" philosophy. No goofy "DSP" or "marketing knobs" to get between you and your sound. So for the guitarist, it's pure all-tube tone — from shimmering clean to thick ‘n raunchy. If you wanna play smooth jazz, buy someone else’s amps.

Jet City's "Keep It Simple, Soldano" approach to tube amp design speaks for itself; with simple controls, cool cosmetics, and sensible pricing, Jet City Amplifiers offer a taste of the good life, at a fraction of the cost. Each amplifier is meticulously hand-built and rigorously tested, ensuring 100% legit tone, and unflinching reliability.

While other brands snap like toothpicks under the pressure, Jet City Amplifiers eat it up and ask for more — right out of the box, no mods necessary.

Welcome to Jet City Amplification. Plug in and see what real tube amp design and quality tone is all about.